Maureen Corrigan

Enter MeThe Great Internet Novel. Like the great white whale, it's rumored to be out there somewhere beyond the horizon. So far, the novelists who've been hailed as coming closest to writing it have done so in dystopian doorstoppers even longer than Herman Melville's Moby Dick; I'm thinking of The Circle, by Dave Eggers, and Book of Numbers, by Joshua Cohen, both of which tell sweeping cautionary tales about the wired life within Facebook-type cult compounds.

Take Meg Wolitzer's novel (now also a film) called The Wife, about a brazen case of literary ghostwriting, and cross it with Patricia Highsmith's classic Ripley stories, about a suave psychopath, and you've got something of the crooked charisma of John Boyne's new novel, A Ladder to the Sky.

"Let the people see what they did to my boy." Those were the words spoken by Emmett Till's mother, Mamie Till-Mobley, after viewing the brutalized body of her son.

"Advice columnist" is not a role that is usually listed under Eleanor Roosevelt's long list of achievements, but for over 20 years she wrote a popular write-in column, first for Ladies Home Journal and then McCall's magazine.

Esi Edugyan's new novel, Washington Black, opens on wretched terrain: The year is 1830; the location is a sugar plantation in Barbados. Our narrator, an enslaved 11-year-old boy named George Washington Black — "Wash" for short — tells us that the old master has recently died.

Book critic MAUREEN CORRIGAN says Sarah Smarsh's new memoir Heartland is smart, nuanced and atmospheric.

Sarah Weinman's The Real Lolita offers a compelling argument that Nabokov's 1955 novel had its roots in the 1948 abduction of 11-year-old Sally Horner — despite the author's claim to the contrary.

There's life in the old road trip saga yet. That's just one of the many things that Gary Shteyngart's spectacular, sprawling new novel, Lake Success, affirms.

Book critic Maureen Corrigan reviews the new apocalyptic novel 'Severance' by debut novelist Ling Ma.

What I love most about Wilson's writing is that he'll start off with these goofy, almost sitcom-type contrived premises and from there create stories that knock you out with the force of their emotional truth. That distinctive sweet-tart flavor of Wilson's writing is triple-concentrated in his new short story collection, Baby, You're Gonna Be Mine.