Lloyd Schwartz

At 44, the German tenor Jonas Kaufmann may be the most popular tenor of his generation in the international opera world, and one of the most versatile. Among his recordings this year are albums dedicated to both Verdi and Wagner, celebrating the bicentennials of their birth.

New York City is home to more paintings by Johannes Vermeer -- eight -- than any other city. And until mid-January, it's playing host to one more: the world-renowned Girl with a Pearl Earring. Critic Lloyd Schwartz says, since the painting's 1994 restoration, "It's even more breathtaking than I remembered."

Live at Carnegie Hall captures a riveting experience with the Metropolitan Opera Orchestra and a beloved conductor, James Levine, who has been plagued with a variety of medical troubles.

In few operas does all the mayhem express what underlies George Benjamin's Written on Skin. The work conveys a profound awareness of human cruelty and its inextricable connection to passion and art.

Recently reissued Brahms and Mozart recordings by the Stuyvesant Quartet convey natural refinement, balance and a kind of inward grace. Fresh Air critic Lloyd Schwartz says they take their place among the most luminous chamber-music performances on record.

Director Kenneth Branagh has given us fresh Shakespeare and witty modern comedies of manners, and some years ago he turned to opera, with an adaptation of Mozart's classic set in World War I. It's finally available in the U.S., and critic Lloyd Schwartz says the results are disappointingly mixed.

Claes Oldenburg is one of the best-known American pop artists. Critic Lloyd Schwartz found himself not alone in enjoying the current Oldenburg exhibit at the Museum of Modern Art, which continues through Aug. 5.

In the 1950s, as movie directors were trying to offer TV watchers something they couldn't get on a small screen, Cinerama films threw three simultaneous images onto a curved screen to create peripheral vision. Two classic Cinerama films — This Is Cinerama and Windjammer — are now out on DVD.

Critic Lloyd Schwartz welcomes the opera star's new album, Mission, which breathes new life into the work of Italian composer Agostino Steffani. Bartoli, he says, has an astonishing capacity for vocal fireworks and warm, delicate lyricism.

On its 50th anniversary, Robert Aldrich's classic horror film What Ever Happened to Baby Jane? has just been released on Blu-ray. Though it's far from a musical, classical music critic Lloyd Schwartz says its musical elements are crucial to the film.