Lloyd Schwartz

Classical music critic Lloyd Schwartz reviews a new recording of Ferruccio Busoni's (fe-ROOCH-ee-oh boo-SONY) piano concerto, performed by Garrick Ohlsson accompanied by the Cleveland Orchestra. Lloyd says the concerto is one of the most ambitious works ever composed, and this new recording should revive interest in it.

Classical music critic Lloyd Schwartz reviews a recording of 18th century flute quartets by the Mannheim Quartet. The group performs several of Mozart's quartets here on original instruments.

Classical music critic Lloyd Schwartz reviews three reissues of music by composer Erich Wolfgang Korngold. Korngold was a success at both serious composition and writing music for the movies...among his film scores are the classics "The Sea Hawk," and "The Adventures of Robin Hood."

Classical music critic Lloyd Schwartz reviews a new compact disc of Beethoven sonatas played by renowned Irish pianist John O'Conor.

Classical music critic Lloyd Schwartz reviews a new recording of works by Sir Michael Tippett. Tippett is generally considered the greatest living British composer. He's in the U.S. for the world premiere of his fifth opera, "New Year," in Houston on October 27.

Classical music critic Lloyd Schwartz reviews a recording of two new works by the Soviet Union's leading female composer, Sofia Gubaidulina.

Classical music critic Lloyd Schwartz has a review of a never-before-recorded Kurt Weill (Vile) opera. Weill is best-known for his collaborations with playwright Bertolt Brecht, such as "The Threepenny Opera" and "The Rise and Fall of the City of Mahogany".

Classical music critic Lloyd Schwartz reviews a new RCA Victor recording called Marian Anderson: Bach, Brahms, Schubert. The album also includes a recording of Marion Anderson's 1955 debut performance at the Metropolitan Opera singing an aria from Verdi's "A Masked Ball".

Classical Music critic Lloyd Schwartz looks at how different recorded performances of music can influence a listener's understanding of the piece.

Classical music critic Lloyd Schwartz reviews a new release of Mozart's comic opera, "The Abduction from the Seraglio." It's a 1961 performance of a little known German comedy by Mozart, but Lloyd says it compares favorably with his best known Italian works.