Lloyd Schwartz

Classical music critic Lloyd Schwartz reviews a never-before-released recording of two Kurt Weill pieces...."The Lindbergh Flight," a collaboration with Bertolt Brecht, and "The Ballad of the Magna Carta," with a text by Maxwell Anderson.

Classical music critic Lloyd Schwartz reviews a new release of works by 20th century composer Leon Kirchner. Lloyd say Kirchner has managed to fuse the two major influences of 20th-century classical music, Schoenberg and Stravinsky. (the album's on the Elektra/Nonesuch label).

Classical music critic Lloyd Schwartz reviews a new CD collection of songs by the late Roland Hayes. Hayes was the first major black concert singer, and paved the way for performers such as Marion Anderson. (It's issued by the Smithsonian).

Classical music critic Lloyd Schwartz reviews conductor and cellist Pablo Casals' recording of Mozart's Sinfonia Concertante.

Classical music critic Lloyd Schwartz reviews a new reissue featuring Czech conductor Vaclav Talich (VATZ-lahf TAH-litch). Talich led the Czech Philharmonic off and on from the 20s to 1961. Lloyd says this recording shows Talich's national flavor, a trait that's lost in this modern world of globe-hopping star conductors. This recording features performances of Dvorak's 8th Symphony, and Smetana's "Moldau" and "From Bohemian Woods and Fields." (the recording is on Supraphon).

Classical music critic Lloyd Schwartz examines some recordings in which the worlds of classical and popular music combine. The most recent example is "Anything Goes: Stephane Grappelli and Yo-Yo Ma play (mostly) Cole Porter." Schwartz looks at other recordings that bring together Jascha Heifetz and Bing Crosby; Paul McCartney and George Mason of the New Philharmonia Orchestra; and Frank Sinatra and the Hollywood String Quartet.

Classical music critic Lloyd Schwartz presents the second in his two-part review of conductor Otto Klemperer. This time, Lloyd plays some of Klemperer's opera recordings and recordings of Mozart. (Angel Records has begun to reissue some of Klemperer's recordings on remastered compact discs.)

Classical music critic Lloyd Schwartz reviews a reissued series of performances by German conductor Otto Klemperer. Klemperer was a disciple of Gustave Mahler, and Lloyd says his performances of classical German pieces are one of this century's greatest musical legacies. The series has been digitally remastered by Angel Records.

Classical music critic Lloyd Schwartz reviews a new compact disc of opera recordings by Spanish mezzo-soprano Conchita Supervia (pronounced super-VEE-a). It's been released as part of the Club 99 series.

Classical music critic Lloyd Schwartz reviews some newly reissued recordings of Haydn symphonies by the English conductor Sir Thomas Beecham. He says Beecham is one of the few conductors who understands how Haydn should be played. (the recording's on EMI records).