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Lloyd Schwartz

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07:44

"The Voice of the Poet."

Classical music critic Lloyd Schwartz is also a poet. He reviews “The Voice of the Poet” (Random House) a collection of poets reading their own work on audio tape.

Review
04:03

Celebrating Poetry Month: Rescuing "Breakfast Song."

Classical music critic Lloyd Schwartz on poet Elizabeth Bishop and how he saved a poem of hers from obscurity. It's called "Breakfast Song." LLOYD is the editor of "Elizabeth Bishop and Her Art" (University of Michigan Press). (REBROADCAST of 4/15/98)

Commentary
06:33

A Heroic Contemporary Musician.

Classical music critic Lloyd Schwartz profiles the work of Pierre Boulez (“pee-AIR boo-LEZZ”). Boulez recently played a four-concert series of 20th century music at Carnegie Hall. Lloyd, who attended the shows, says Boulez is not only a conductor, a composer and a theorist, but a cultural icon as well.

Commentary
07:06

Enchanting Stravinsky Recordings.

Classical music critic Lloyd Schwartz reviews new recordings of some of Stravinsky's early vocal music: Natalie Dessay singing Stravinsky's The Nightingale (EMI), and Stravinsky Conducts Stravinsky (box set on Sony).

Review
05:47

Fleming Does Justice to Straus.

Classical music critic Lloyd Schwartz reviews soprano Renee Fleming's new recording of Strauss Heroines with the Vienna Philharmonic, on the Decca label.

Review
06:50

Leon Kirchner is a Major Musical Figure.

Classical music critic Lloyd Schwartz reviews "Leon Kirchner: Historical Recordings" (Music and Arts)featuring the music of Pulitzer Prize-winning composer Leon Kirchner who turns 81 this year.

Review
07:06

The Most Significant Music of the 20th Century.

Classical music critic Lloyd Schwartz tells us what music he most wants to remember from the 20th Century. His selections come from the new box set “Stravinsky REV: Conducting Stravinsky” (Sony), The Dvorak Cello Concerto with Pablo Casals (EMI Reference disc), Joseph Szigeti’s Prokofiev Concerto (Pearl), Artur Schnabel on a currently out-of-print Schubert CD (Arabesque). And Maria Callas’s recordings (EMI)

Commentary

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