Lloyd Schwartz

German tenor Max Lorenz had a voice that could move millions — though Lorenz will be most remembered as Hitler's (and Wagner's) favorite. A new documentary about The Life and Times of Max Lorenz, chronicles the conflict and triumph of his unlikely voice and paints an intimate portrait, according to critic Lloyd Schwartz.

An exhibition at the Museum of Fine Arts is both an art history lesson and a celebration of the most sumptuous works of Titian, Tintoretto and Veronese.

Playing Shakespeare, a 1984 series in which actors dissect some of the Bard's most famous works, shows how crucial an understanding of Shakespeare's language and versification are to conveying the meaning — and power — of his scenes.

The San Francisco, Chicago and Boston symphony orchestras have all released new live albums recently; classical music critic Lloyd Schwartz had a listen, and he has a review.

For the golden anniversary of the original cast album of Gypsy, Sony is reissuing the classic recording, which features Ethel Merman. Music critic Lloyd Schwartz sees how well it holds up.

American mezzo-soprano Joyce DiDonato released a dazzling CD of Handel arias — Furore, a collection of set-pieces from operas and oratorios in which Handel's characters experience flights of passion.

The Homefront Collection, a new DVD set from Warner Home Video, showcases three World War II-era Hollywood musicals: This Is the Army, Thank Your Lucky Stars and Hollywood Canteen.

American composer Elliott Carter celebrates his 100th birthday this month, and three new CDs have been released in honor of the occasion. Fresh Air's classical music critic has a review.

In the 1947 film, It Happened In Brooklyn, Frank Sinatra plays a soldier who returns after four years at war and decides to pursue a singing career. Classical music critic Lloyd Schwartz reviews the recently-released DVD version of the film.

Shakespeare's tragedy — and Prokofiev's ballet — are plenty familiar, but critic Lloyd Schwartz says Mark Morris's new staging isn't: It's based on a forgotten manuscript recently discovered in Russia, and it's truer to Prokofiev's original intent.