Lloyd Schwartz

Classical music critic Lloyd Schwartz reviews reissues of the songwriting team's music, recorded in the early 20th century. Schwartz praises the performers' precise renditions of these classic compositions.

Classical music critic Lloyd Schwartz says that some composers elevate film scores, including Bernard Hermann, who wrote the music for several Alfred Hitchcock movies. A new collection of those compositions is now out on CD.

The contemporary composer, known for his difficult and ironic music, has as new album of tone poems, narrative orchestral music, and works for a children's choir. Classical music critic Lloyd Schwartz has this review.

Classical music critic Lloyd Schwartz reviews a new Smithsonian box set of American musicals from throughout the twentieth century. His only complaint is that, with such a wealth of archival material, he wonders why more serious and contemporary music was included.

Classical music critic Lloyd Schwartz reviews a new collection of recordings by the African American singer Marian Anderson, a contralto known for her masterful rendition of art songs and spirituals.

Classical music critic Lloyd Schwartz that many performers have overlooked Liszt's music, in part because of the composer's flamboyant reputation. But a new album by pianist Russell Sherman reveals the craft and innovations of Liszt's work.

Not much of Cornysh's work survives, but the vocal ensemble the Tallis Scholars has unearthed enough to record a new album of the composer's sacred and secular music. Classical music critic Lloyd Schwartz says it's as excellent as all of the ensemble's previous recordings.

Classical music critic Lloyd Schwartz reviews a new recording of the Estonian composer's version of the Passion of St. John. He says that its simplicity reveals surprises, and that, even at 70 minutes, the piece never grows tiresome.

Classical Music Critic Lloyd Schwartz reviews a newly re-issued recording of the late pianist GLENN GOULD playing Haydn's last six piano sonatas. Gould made these recordings in 1980, two years before his death.

Lloyd Schwartz says that the classical pianist, like Glenn Gould, died too young. But unlike Gould, Lipatti's interpretations of canonical works were more traditional, evoking the way the pieces may have originally been performed. Schwartz reviews two recent re-releases of the musician's recordings.