Kevin Whitehead

Jazz critic Kevin Whitehead reviews "That's a Serious Thing," a new reissue featuring trombonist Jack Teagarden. Kevin says the album shows how Teagarden brought a country influence into jazz. The album's on the RCA/Bluebird label and it features Teagarden performances from 1929 to 1957.

Jazz critic Kevin Whitehead reviews a couple of Ornette Coleman reissues from 1968: "New York is Now," and "Love Call." (Both on the Blue Note label). They include some alternate takes of tunes never before released in the U.S.

Jazz critic Kevin Whitehead reviews a new reissue, "Uptown," featuring the Gene Krupa Orchestra with Roy Eldridge and singer Anita O'Day. It's on Columbia.

Jazz critic Kevin Whitehead reviews a new album and a reissue of an old album by tenor saxophonist Sony Rollins. The new recording is "Falling in Love with Jazz" on the Milestone Label; the reissue is "The Freedom Suite," on Fantasy Records' Original Jazz Classics. It was first recorded in the late 50's and featured bassist Oscar Pettiford and drummer Max Roach.

Jazz critic Kevin Whitehead reviews "Coltrane Live At Birdland," a reissued album by tenor and soprano saxophonist John Coltrane. Kevin says this is his favorite Coltrane album. (It's on Impulse).

Jazz critic Kevin Whitehead reviews composer and pianist Michele Rosewoman's new album, "Contrast High." (It's on enja records).

Jazz critic Kevin Whitehead reviews "Let's Eat Home," the new album by singer/songwriter Dave Frishberg. It's on the Concord Jazz label.

Jazz critic Kevin Whitehead reviews a new album by German jazz organist Barbara Dennerlein (DEN-er-line). The album, "Straight Ahead!" is her first to be released in the U.S. and Kevin says part of the reason for its success is that Dennerlein doesn't sound like other jazz organists.

Jazz critic Kevin Whitehead reviews the new album from tenor and soprano saxophonist Bill Pierce. It's called "Equilateral," and it's on Sunnyside Records.

On the 25th anniversary of the death of Nat King Cole, jazz critic Kevin Whitehead has an appreciation of the well-known singer, and he takes a look at Cole's often overlooked skills as a jazz pianist. (By the way, Nat King Cole actually died on February 15th, but we're running the piece today, a couple of days early).