Kevin Whitehead

Jazz critic Kevin Whitehead reviews the soundtrack from the movie "Tune in Tomorrow" composed by Wynton Marsalis and recorded by Marsalis and his band. Whitehead says it makes good use of the trumpeter's conservative, backward-looking approach.

Jazz critic Kevin Whitehead talks about his favorite releases in 1990.

Kevin Whitehead, who normally reviews jazz for Fresh Air, looks at the new movie "The Russia House," an adaptation of the recent John LeCarre spy novel. Whitehead says it's neither good nor bad, but he likes Sean Connery's performance.

Jazz critic Kevin Whitehead reviews the new album by the Music Revelation Ensemble, led by guitarist James Blood Ulmer. Ulmer studied with Ornette Coleman, and has developed a loose, free, and often bluesy sound. A new guitar player, Joe Morris, takes Ulmer's style even further in his trio record, Sweatshop.

For years, jazz fans have been looking for recordings that a fanatical fan named Dean Benedetti made of Charlie Parker in the late 40s. Those recording recently turned up, and they've just been issued on a boxed set of compact discs. Jazz critic Kevin Whitehead says they're surprisingly good, but don't add much to what we know about the famed saxophonist.

Jazz critic Kevin Whitehead reviews "Jelly Roll Morton: The Complete Victor Recordings," released on the occasion of the musician's 100th anniversary. Morton is widely considered to be the first great jazz composer, and is finding more acclaim now than he did while he was alive.

Kevin Whitehead reviews "Charles Mingus: The Complete Debut Recordings," featuring music from 1951 through 1957. Both legendary and unknown jazz musicians make appearances on these little-heard recordings.

Jazz critic Kevin Whitehead reviews the re-release of the exceptional Carla Bley and Paul Haines concept album. It features an eclectic mix of singers and musicians, including Linda Ronstadt, Jack Bruce, Don Cherry, and John McGlaughlin.

Jazz critic Kevin Whitehead reviews Rif, the new album by Dutch bassist Maarten Altena and his octet. Altena, who was a practitioner of free jazz, is also influenced by 20th century composers such as Stravinsky and Morton Feldman.

Jazz critic Kevin Whitehead reviews The World Is Falling Down, by one of his favorite contemporary jazz singers, Abbey Lincoln.