Kevin Whitehead

Jazz critic Kevin Whitehead reviews a reissue of "The Voice That Is!," by baritone singer Johnny Hartman.

Critic Kevin Whitehead reviews the new Robert Redford film, about a real-life game show scandal in the 1950s.

Jazz critic Kevin Whitehead reviews a new recording of Charles Mingus's infamous New York Town Hall concert from October 12, 1962. It's the first time a complete recording has been available.

Jazz critic Kevin Whithead reviews the new re-issue by the little-known jazz organist Baby Face Willette, called "Stop and Listen."

Jazz critic Kevin Whitehead reviews the new CD set, "The Fletcher Henderson Story: A Study in Frustration," a reissue of a 4-LP set that's been out print since the 1960s.

Jazz critic Kevin Whitehead reviews "The Montreal Tapes," a live recording featuring bassist Charlie Haden, trumpeter Don Cherry, and drummer Edward Blackwell at the 1989 Montreal Jazz Festival.

Jazz critic Kevin Whitehead substitutes for Stephen Schiff and reviews the new movie "The Client," based on John Grisham's bestselling legal thriller.

Jazz critic Kevin Whitehead reviews Keith Jarrett's new album, "At the Deer Head Inn." Jarrett, on piano, teams up with bassist Gary Peacock and drummer Paul Motian.

Jazz critic Kevin Whitehead says that, amidst the apocryphal narratives circulating around the sax player's career, the Verve reissue "The Lester Young Trio" is worth checking out.

Jazz critic Kevin Whitehead reviews two new reissues which were both recorded in New York in the mid-1960's. Steve Lacy and Rosewell Rudd combine modern jazz, avant-garde, and old blues in their album "School Days" ( Hat Art). Duke Pearson combines piano with Caribbean music on "The Right Touch" on the (Blue Note).