David Bianculli

TV critic David Bianculli reviews the two new TV shows "I Love Dick" and "Anne with a E"

In 1982, Demme directed Who Am I This Time?, an hour-long comedy-drama for the PBS anthology series American Playhouse. TV critic David Bianculli says the show deserves to be remembered and watched.

A new 10-part adaptation of Margaret Atwood's 1986 novel stars Elisabeth Moss as a woman living in a totalitarian state. Critic David Bianculli says the miniseries depicts a bleak and haunting future.

The 1996 Coen Brothers movie Fargo was so good, and so original, that when the FX cable network announced it was making a new version for television, I expected it to be awful — especially since the creator of the adaptation was Noah Hawley, a writer-producer who hadn't really done much.

TV critic DAVID BIANCULLI reviews the third season of the AMC series 'Better Call Saul' which continues the origin story of Jimmy McGill who eventually becomes Saul Goodman.

TV critic David Bianculli says the new documentary series Five Came Back, based on the book of the same name, "leaves you hungry to seek out more (films) from the briefest documentary short to the subsequent Oscar-winning postwar features.

On Friday, the streaming service Netflix unveils the entire first season — all 13 episodes — of its newest children's series, called Julie's Greenroom. It stars Julie Andrews, who also is its executive producer along with her daughter, children's book author Emma Walton Hamilton.

Last week, when news surfaced about various meetings between the Russian ambassador and members of Donald Trump's campaign, Huffington Post editor Howard Fineman appeared on MSNBC and said, "If you think the Russian ambassador is just an ambassador, you haven't been watching The Americans."

As horror movies go, 1962's What Ever Happened to Baby Jane? was a B movie, in budget and, if I gave it one, a letter grade. It didn't deserve an A for its scares or its innovation, as Alfred Hitchcock's Psycho did two years earlier, or his movie The Birds would in the following year.

Tom and Dick Smothers came to CBS in 1967 not really intending to lead or support a revolution. They just got caught up in it — and they happened to have a network program "The Smothers Brothers Comedy Hour", with some 30 million viewers, on which they criticized the war in Vietnam, celebrated rock 'n' roll music and satirized politics and politicians.