Thrillers (Motion pictures)

Israeli filmmaker Joseph Cedar centers his new movie on a wannabe dealmaker, played by Richard Gere. Critic John Powers calls Norman a mordantly funny drama with a "dazzlingly revelatory" ending.

A young white woman brings her black boyfriend home to meet her parents in director Jordan Peele's first feature film. Critic David Edelstein says Get Out is a comic thriller worth seeing.

The film is about an English private who is cut off from his unit in the middle of a riot in Belfast in 1971. It's a conventional and smashingly good chase melodrama, but it's also a tragedy.

Neeson became a bankable action hero in 2008 after the thriller Taken. Now almost 62, he's still getting out of tight corners with his fists. His new film unfolds on a transatlantic flight.

Oldboy, the director's remake of a 2003 film of the same name, follows a man who's held captive for 20 years — and out for revenge after his release. Josh Brolin, Elizabeth Olsen and Samuel L. Jackson star.

This macho action film starring Gerard Butler and Morgan Freeman is a vigilante fantasy about terrorists and turncoats invading the United States. It's a popular genre, but critic David Edelstein says he's tired of the American addiction to these tropes.

The film is ripe with a creepy-crawly feel that would be affecting if the tone weren't so arch. Directed by Park Chan-wook, written by Wentworth Miller and starring Nicole Kidman, Mia Wasikowska and Matthew Goode, Stoker is a vile little chamber horror, says critic David Edelstein.

The less you know about the unnerving thrillers Source Code and Insidious the better, says critic David Edelstein. But only one of the two films "has so much emotional heft that it never loses that exhilarating jitter."

British actor Jason Statham plays a professional hit man in The Mechanic, based on a 1972 Charles Bronson thriller. Critic John Powers says the film offers a revealing look at Statham's distinctive appeal.

The third installment of Stieg Larsson's Millennium Trilogy focuses once again on the corruption-fighting duo of journalist Mikael Blomkvist and cyber-avenger Lisbeth Salander. But as critic David Edelstein notes, an epic devotion to detail makes the movie seem like "an interminable footnote." (Note: Spoilers galore.)