Richard Gilman, who died Saturday at age 83, was a writer and professor at the Yale School of Drama. Ben Brantley of The New York Times writes, "Mr. Gilman was one of a breed of philosopher-critics... who came to prominence in the 1950s and 1960s. They located in modern drama the elements of abstraction, alienation and absurdity that had long been at the core of discussions of other forms of art and literature." In this archive interview from 1987, Gilman recounts his conversion from Judaism to Catholicism and then to atheism.
Former theater critic Frank Rich. He’s just published his memoir “Ghost Light,” (Random House). In it he examines the influence of his childhood on his adult career: his parents’ divorce and an early curiosity for theater. He was chief drama critic for the New York Times from 1980-1983 and has been an op-ed columnist for that paper since 1994. He lives in New York City.
Once one of the most powerful reviewers in America, The New York Times' former drama critic, Frank Rich. It was a great day for many playwrights when RICH stepped down as critic late last year. The British press once dubbed him "The Butcher of Broadway;" playwright David Mamet called him "a terrible critic. . . an unfortunate blot on the American theatre." Some playwrights and directors even chose to take their work elsewhere to save themselves from a review by Rich.
We remember theater impresario Joe Papp. He was responsible for bringing out such hits as "A Chorus Line" and "Hair," and for staging many memorable performances at the New York Shakespeare Festival. He died yesterday at age 70. We'll listen to a Fresh Air interview with Papp from 1987.
Theater impresario Joseph Papp. His New York Shakespeare Festival has staged some of the finest American productions of Shakespeare as well Broadway hits like "A Chorus Line" and "Hair." His company has just started a complete cycle of Shakespeare's plays. (Rebroadcast. Original broadcast 5/15/87.)
Robert Brustein, theater critic for The New Republic since 1959. Brustein founded the Yale Repertory Theater and the American Repertory Theater at Harvard. His new book of essays is titled Who Needs Theatre: Dramatic Opinions. (Rebroadcast. Original broadcast September 15, 1987.)
Robert Brustein, theater critic for The New Republic since 1959. Brustein founded the Yale Repertory Theater and the American Repertory Theater at Harvard. His new book of essays is titled Who Needs Theatre: Dramatic Opinions.
Impresario Joseph Papp helped launch Broadway hits like A Chorus Line and The Pirates of Penzance, and founded the New York Shakespeare Festival. He talks about the political aspects of theater casting, production, and criticism.