Writer Doris Lessing. Since her first novel, The Grass is Singing, published in 1950, she has written many books and plays, including the Children of Violence series, The Golden Notebook, and more recently Shikasta and her "space-fiction" series. Her new novel is titled The Fifth Child. Fresh Air book critic John Leonard once described Mrs. Lessing as "one of the half-dozen most interesting minds to have chosen to write fiction in English in this century."
Musicologist H.C. Robbins Landon. His new book, "Mozart: The Golden Years," traces the most troubling and creative period of the composers life, the years 1781-91. During this period, Mozart completed three controversial operas, married and wooed his wife Constanze Weber, became entangled in financial difficulties, and lived through the death of his father. In this book, the second of two volumes on the life of Wolfgang Amadeus Mozart, Landon, further explores the link between Mozart's "manic depressive disorder" and his creativity.
Psychiatrist Peter D. Kramer wrote "Listening to Prozac," an examination of the larger issues behind drugs that reshape temperament. Prozac is the most widely prescribed antidepressant today, with some four and a half million users since its introduction in 1987. Kramer raises serious questions about this "miracle mood enhancer": are we headed into an age of cosmetic pharmacology?
Author Susanna Kaysen. At age eighteen, she was hospitalized in Boston's McLean Psychiatric Hospital. Her two years there, from 1967-1969 and experiences of the other young women of her ward are the subject of Kaysen's book, "Girl, Interrupted" (Turtle Bay Books).
Caouette made his filmmaking debut with the autobiographical documentary Tarnation. He made it on his home computer for only $218. It includes snapshots, super-8 home movies, answering machine messages and dramatic reenactments from his chaotic upbringing in a dysfunctional Texas family.
P.J. Hogan's new movie is madder than madcap, a zany, nonconformist boundary-pusher whose offbeat manner makes for a rich and grounded film. Toni Collete plays the part of a modern-day Maria von Trapp as if she has nothing to lose -- and Anthony LaPaglia shows his true Aussie accent.