Film

Film critic Stephen Schiff reviews the new film based on the life of legendary saxophonist Charlie Parker. Schiff says it makes up for its lack of narrative drive with insight and an excellent soundtrack.

The writer's new book, An Empire of Their Own, examines the long-neglected history of how a group of Jewish European emigrees created the screen's idea of the American Dream, and how America adopted that dream.

Director Tobe Hooper sought to earn a PG rating for his groundbreaking horror film. The film got an R, but the attempt resulted in a movie that relied more on Hitchcock-like suggestion than explicit gore to inspire fear and disgust. Texas Chainsaw Massacre was recently included in the Museum of Modern Art's permanent collection.

Language commentator Geoff Nunberg reflects on how changing modes of speech in motion pictures signify a character's personal transformation. The 1938 version of Pygmalion is a great example -- but the trope can be found in several other films.

Every three years or so, a collection of Pauline Kael's movie reviews are collected into a book. Her forthcoming anthology is called Hooked. Kael believes film once served as a kind of common culture, and bemoans the fragmentation of movie audiences. She joins Fresh Air to talk about the state of the film industry and the changing tastes and expectations of audiences.

Hanks made his name in Hollywood in films like Splash, The Money Pit, and Big. He stars opposite Sally Field in the new movie Punchline, in which he plays a standup comedian. To master the role, he developed and performed a routine, which he performed for months before shooting began.

The British director's first movie in the United States was the Academy Award-winning Midnight Cowboy. His forthcoming feature, Madame Sousatzka, stars Shirley McLaine. Schlesinger joins Fresh Air to talk about some of his early work, including Sunday Bloody Sunday and Marathon Man.

Critic Ken Tucker reviews the home video release of Quartet, which features four adaptations of Somerset Maugham's works by four different directors. Maugham himself introduces the film. Tucker appreciates the movie's older, romantic style. He also recommends Broadcast News, Frantic, and A Roman Holiday.

Film critic Stephen Schiff says the new biopic about the late zoologist, Gorillas in the Mist, is malarkey, with a script that shies away from the most compelling parts of Fossey's story. But star Sigourney Weaver shines.

Tom Waits' music is changing, incorporating new styles like tango and Tin Pan Alley. He has a new performance film called Big Time, which features Waits singing different personas, and an album of the same name.