Film

Ken Tucker reviews the home video release of the highest grossing film of all time. He says the movie doesn't transfer well to the smaller dimensions of a TV screen, but its heart is still there. Conversely, Cinderella is perfect for home viewing, but it still suffers from Disney's sentimental revisions of the original tale. The Three Caballeros, another recent Disney release, is also worth watching.

Jonathan Katz stars as standup comedian Jackie Shore in the new movie Things Change, which was written by his friend David Mamet. Katz played a con man in the earlier Mamet movie House of Games, which Katz says was loosely based on their experience as small-time ping pong hustlers.

Stephen Schiff says that director Leonard Nimoy's adaptation of Sue Miller's novel is lifeless, but Diane Keaton's performance might justify the cost of a ticket.

Carpenter has made films in a variety of genres, but he has a special affection for horror and sci-fi. His first movie, Halloween, spawned several sequels. His latest, They Live, is a political satire about aliens colonizing Earth.

Director Ken Russell's new movie, Lair of the White Worm, updates a minor Bram Stoker novel of the same name for the 1980s. Film critic Stephen Schiff says the movie's acting and effects are silly and over-the-top. That's all part of the charm.

Critic Ken Tucker reviews Alysssa Milano's exercise video Teen Steam, which is geared toward teenage girls; adults caught watching it can't help feeling faintly unclean, he says. He also recommends new releases of Withnail and I and Rambo III.

The director trades comedy for drama in his latest movie. Film critic Stephen Schiff says the story explores the tired, false dichotomy of thinking versus feeling; and the dialogue leaves much to be desired.

Clint Eastwood's biopic Bird delves deep into the personal life and legend of Charlie Parker. Jazz critic Kevin Whitehead says the story fails to connect these often tumultuous moments with the genius of Parker's music.

Critic-at-large Laurie Stone recently saw the Dian Fossey biopic. She praises the film's power and compassion, fueled in large part by star Sigourney Weaver's outstanding performance.

Film critic Stephen Schiff bemoans Hollywood's current preoccupation with courtroom dramas -- most, he says, aren't very good. The new Jodi Foster movie The Accused, loosely based on a high-profile gang rape trial, leans too heavily on the lurid details of the case, and not enough on developing an interesting narrative.