Film

Film critic Stephen Schiff says that Cassavetes, who died this month at the age of 59, was just starting to live up to the promise of his jagged talent. The director's films were often indulgent and overwrought, but never without power.

Lawrence of Arabia has recently been remastered, and a new 70mm print has just been released theatrically. Film critic Stephen Schiff says watching the movie as a child inspired him to become a film critic; watching it again as an adult, he's impressed by its enduring, powerful themes.

Scholar and writer Thomas Schatz has a new book about the studio era of Hollywood. While efficient, the film industry during the first half of the century limited the roles available to actors and actresses, and tightly controlled the content and style of the movies it produced.

Michael Barson's new book, Lost, Lonely and Vicious, collects promotional postcards of B movies from the late 1940s through the early '60s. He says these films were all sizzle, and were tame compared to their lurid, sensationalistic descriptions.

The pop star has a new direct-to-video collection of short films featuring songs from throughout his career. Rock critic Ken Tucker says its artistic value is almost nil, but it's worth watching at least once to marvel at the spectacle of it all.

The British director and screenwriter's latest movie examines the life of London's working class in the age of Margaret Thatcher.

Director Michael Crichton's latest, a cop thriller called Physical Evidence, stars Burt Reynolds and Theresa Russell, who fail to breathe life into the film's clumsy script. Critic Stephen Schiff wonders if Crichton was having an out-of-body experience when he directed the movie.

Film critic Stephen Schiff says that the World War II-themed The Dressmaker masterfully follows in the European tradition of what he calls "intimate filmmaking" -- something no American director has yet been able to replicate.

Film critic Stephen Schiff says January isn't the best month for movies; screenwriter John Patrick Shanley's latest cop drama is no exception -- the January Man is so quirky that it's hard to take seriously.

Wayans wrote, directed, and starred in the new movie I'm Gonna Git You, Sucka, which is both a parody of and homage to the blaxploitation movies of the 1970s. He says those films were notable for creating more complex roles for African American men.