Film

Loach was a member of the British "Free Cinema Movement" of the '50s -- which was committed to dealing with issues of the working class and lower-class of British society -- and he was a pioneer of the doc-drama of the '60s. His film "Cathy Come Home," about a homeless mother, aired on the BBC, created a scandal, and forced a public debate about the homeless in London. His latest film "Riff-Raff," about construction workers, is his first comedy.

We pay tribute to Audrey Hepburn, who died yesterday from colon cancer, with an excerpt from a 1988 Fresh Air interview.

Film critic Stephen Schiff reviews "Body of Evidence," the new sex-fueled courtroom drama starring Madonna and William DeFoe.

Chinese film director Chen Kaige. His latest film is "Farewell My Concubine," a love story about two male actors and a prostitute which takes place over the course of half a century, taking them through the Cultural Revolution (1966-76). Kiage first won international recognition with his debut film, "Yellow Earth." In his latest film, Kaige includes a scene in which the characters betray each other during the Cultural Revolution. Terry will talk with him about his own experiences during the Cultural Revolution when he betrayed his own father, Chen Huaikai.

Film critic Stephen Schiff reviews, "In the Name of the Father," starring Daniel Day-Lewis.

Film critic Stephen Schiff reviews the new movie, starring Robert Downey, Jr. Schiff says he's grown as an actor, and is the best part of the film.

Terry talks with film critic Stephen Schiff about his favorite ten movies from the year.

Film critic Stephen Schiff reviews the new Martin Brest film, starring Al Pacino, who gives one of his best performances.

Film critic Stephen Schiff reviews "Toys." It was originally going to be director Levinson's debut movie, but studios deemed it too complicated for a first time director.

Author Aljean Harmetz's new book, Round Up the Usual Suspects, tells the inside story of the making of the film Casablanca. Harmetz is also the author of The Making of the Wizard of Oz. She was the Hollywood film correspondent for The New York Times for 12 years, and is now a contributing editor for Esquire.