Over the past four decades, the singer has chronicled his relationships with his ex-wife, the late Kate McGarrigle, and his children, the singers Rufus and Martha Wainwright. His new album, Older Than My Old Man Now, addresses his relationship with yet another family member: his father.
Jonathan Safran Foer's novel Extremely Loud and Incredibly Close has been adapted into a movie starring Tom Hanks and Sandra Bullock. Critic David Edelstein says the end result doesn't fully mesh with the story it is trying to tell.
Terrence Malick's film, part creation epic and part Oedipal family drama, recently won the Palme d'Or -- the top prize at the Cannes Film Festival. Critic David Edelstein says reaction to the film has been mixed, but he "recommends the experience unreservedly."
The latest novel from John Banville throws a handful of Greek gods into the household of a glum human family to explore sex, love, faith and mortality. Reviewer Maureen Corrigan says The Infinities puts Banville's literary gifts on prominent display.
In an apocalyptic-movie age, The Road is the doomiest. A close translation of Cormac McCarthy's novel, the film tracks a father and son as they fight to survive in an ash-gray world haunted by death and global destruction. Critic David Edelstein says that its depiction of unbearable extremity, John Hillcoat's film achieves a kind of sublimity.
Director Wes Anderson's first animated film is based on Roald Dahl's cheerfully wicked children's book about a wily fox who wages war on three farmers. Critic David Edelstein says the film -- with its stop-motion animation, big-name voice talent and quirky mannerisms -- achieves a degree of realism that isn't always apparent in the cult director's work.
Book critic Maureen Corrigan reviews The Wasp Eater, the first novel by William Lychack. Corrigan says the book, about a dysfunctional family splitting up in late '70s Connecticut, succeeds at a small goal: conveying the ordinary sadness of connecting with other human beings.