The late actor stars opposite Julia Louis-Dreyfus in the new comedy about a divorced TV archivist who falls in love with a divorced masseuse. David Edelstein praises Louis-Dreyfus' farcical timing, as well Gandolfini's ability to change his rhythm and demeanor.
Edgar Wright and Simon Pegg's latest collaboration follows five friends who reunite for an epic tour of 12 suburban English pubs. Critic David Edelstein calls the sci-fi comedy "the year's most uproarious movie."
Pedro Almodovar's ensemble comedy I'm So Excited is set on an airplane with mechanical problems. Neil Jordan's Byzantium centers on a pair of itinerant English vampires. The two films couldn't be more different, but the two filmmakers are very much in command of their craft.
Sandwiched into Joss Whedon's busy schedule of TV series and big-screen features was an unexpected low-budget adaptation of Shakespeare's comedy Much Ado About Nothing -- shot in black and white. Film critic David Edelstein says it's a delight.
Leslye Headland makes her directorial debut with this adaptation of her own play about three bridesmaids whose bad habits and emotional issues threaten to undermine their friend's impending wedding. It's tonally uneven but engrossing, says critic David Edelstein.
Ruby Sparks and Killer Joe tell of an author who conjures a woman from his typewriter and a corrupt detective hired to kill an aging mother, respectively. But Fresh Air's David Edelstein says the films share a common trait: both take their stories beyond common reality to more fascinating parts of the psyche.
The movie Brave is Pixar's first feature with a female protagonist — a medieval Scottish princess named Merida (voiced by Kelly MacDonald) who asserts her independence and wreaks havoc. Critic David Edelstein says the film is "pure Pixar in its mischievousness and irreverence."