There have been several waves of pop music in New Orleans since World War II, with each one subsiding as its celebrated musicians realize they can't make a living in the city they grew up in. In 1960, another of those waves crested, and with it came a pioneering effort for racial equality. Ed Ward has the story of AFO Records: All For One.
The flap over Don Imus' characterization of the Rutgers women's basketball team and his subsequent firing has linguist Geoff Nunberg thinking about how we make distinctions in language. Is offensive speech always unacceptable, or are there shades of difference depending on the context?