Martin Williams, producer of the new six-record set for the Smithsonian Jazz Collection featuring singers and soloists from the Swing era. The set includes performances by Coleman Hawkins, Fletcher Henderson, Ella Fitzgerald and Johnny Hodges.
Jazz pianist Marian McPartland. Though British-born, white and a woman, McPartland has had a forty-year career in a profession that is largely male and black. She is heard on many National Public Radio stations in her popular series with leading jazz artists.
An anthology of the self-published comic book series has just been released by Doubleday. Pekar's joins Fresh Air's Terry Gross to talk about writing, jazz criticism, and the changing landscape of comic books.
Jazz legend BILLY TAYLOR is a pianist who has worked with his own trio as well as musicians such as Billie Holliday, Charlie Parker, Dizzy Gillespie, Stan Getz, Charlie Mingus, Art Tatum, and Miles Davis. Taylor is also a composer whose song "I Wish I Knew How it Would Feel to Be Free" became a civil rights anthem. Taylor is also known for being the guiding force between the public radio programs "Jazz Alive" and "Billy Taylor's Piano Jazz." Currently, Taylor is the editor for the arts on the CBS Sunday morning program.
John Rockwell is the music critic for The New York Times. He believes critics should take (almost) all genres of music equally, and was one the first critics to cover "vernacular music." Rockwell has written the book "All American Music." Rockwell discusses his taste in music (including his beginnings in classical music), journalism, and shares records with Fresh Air.
Stanley Crouch is a jazz critic and Village Voice columnist who regularly writes about jazz, theater, and black issues and politics. Crouch is also a drummer who has recorded with several jazz bands. He is in Philadelphia to speak at a jazz forum and concert.
The Village Voice writer has a new anthology of his music writing called Riding on a Blue Note. His tastes have expanded from jazz to pop vocals, including Bing Crosby and Frank Sinatra. Giddins also finds much to love about contemporary European and avant-garde jazz.
The music writer sees a populist potential in rock music. If anyone can pick up a guitar, he claims, then anyone can make something full of emotion, regardless of their technical abilities. He recently published a book about the band Blondie.