It sounds like something dreamed up by a team of romantic comedy writers: A Pakistani-American comic falls in love with an American graduate student, but because of cultural pressures from his family, he is forced to keep the relationship a secret. It is only when she becomes mysteriously ill and is put into a medically induced coma that he decides to tell his family about the woman he loves.
The new film, Get Out, defies easy classification. Though it has funny moments, it's primarily a horror film, with racial anxiety at its center. Writer-director Jordan Peele tells Fresh Air's Terry Gross that he thinks of Get Out as a "social thriller."
The screenwriter, producer, director and actor, whose name has become synonymous with American comedy, talks about his penchant for spoofs and his decades-long friendship with Carl Reiner. Brooks is among a handful of people who've won Emmy, grammy, Oscar and Tony awards.
In 2013, "you really feel as if directors are taking chances in their storytelling," says film critic David Edelstein. He loved the movie Her, and says the biggest surprises of the year were All Is Lost and Much Ado About Nothing. He also explains why 12 Years a Slave didn't make his top 10.
In a sequel, Ron Burgundy makes the leap from local to national news. "We felt like we needed to jack up the stakes," says director and co-writer Adam McKay. He and star Will Ferrell join Terry Gross to talk about making movies -- and that epic 'statche.
The late actor stars opposite Julia Louis-Dreyfus in the new comedy about a divorced TV archivist who falls in love with a divorced masseuse. David Edelstein praises Louis-Dreyfus' farcical timing, as well Gandolfini's ability to change his rhythm and demeanor.