Cannes Film Festival

Critic John Powers returns from the French film festival to talk about this year's new international films. Top among his picks is The Assassin, a martial arts film by director Hou Hsiao-Hsien.

The festival concluded Saturday. Fresh Air critic John Powers discusses the winners and the films that generated the biggest responses — both positive and negative.

Fresh Air's critic at large John Powers returns from the 2013 Cannes Film Festival with tales of the good, the bad, and the parties. He says Blue Is the Warmest Color was "the film of the festival" while Only God Forgives was the biggest disappointment.

John Powers, Fresh Air's critic-at-large and the movie critic for Vogue, returns from this year's Cannes Film Festival. Though he says it wasn't the festival's strongest year, the experience once again left him feeling rejuvenated about the movies.

The film critic reports his impressions of this year's Cannes Film Festival. On Powers' list of notable films: Terrance Malick's Tree of Life, about a young boy growing up in 1950s Texas, and an Iranian film by a director who was explicitly told by the Iranian government not to make films.

The film critic reports his impressions of this year's Canne Film Festival. On Powers' list of notable films: Apichatpong Weerasethakul's Palme d'Or-winning movie about a dying farmer, and a French film about Cistercian monks debating whether to stay put in a community full of terrorists.

Our critic at large returns with the second part of his report from this year's Cannes Film Festival, including his impressions of Quentin Tarantino's Inglourious Basterds and the South Korean vampire flick Thirst — both due out in the United States later this summer.

Critic-at-large John Powers reports on the scene at the 2009 Cannes Film Festival.

Fresh Air critic-at-large John Powers spent some time at the Cannes Film Festival this month, and today he reports back on what he saw. He says this year's movies weren't half bad — but for Americans, at least, the festival had a gloomy, fatalistic vibe.

The 60th Cannes Film Festival drew more than 4,000 journalists, so it's possible you've heard a little something about the hits and misses there. Michael Moore screened a damning documentary about the U.S. health-care system, while singer Norah Jones made her acting debut in a film from Hong Kong auteur Wong Kar-Wai. Critic-at-large John Powers reports on other high- and low-lights.