Lloyd Schwartz

Classical music critic Lloyd Schwartz says that a new album by soprano Arleen Auger is extremely lovely, but few of the tracks haunt his memory.

The Nonesuch label has released new recordings of early sacred songs by Ensemble Alcatraz, who perform on period instruments. Classical music critic Lloyd Schwartz says that, since the music on "Visions and Miracles" draws on so many cultural traditions, it's a source of constant discovery.

As a child, classical music critic Lloyd Schwartz was delighted by the live broadcast of the Ford 50th Anniversary Show, which featured a lively--and unprecedented--duet between Mary Martin and Ethel Merman. The program has recently been released on video.

Classical music critic Lloyd Schwartz reviews the Chicago Symphony Orchestra's recording of Charles Ives' Holidays Symphony, which draws its inspiration from four different American holidays. Ives incorporates folks songs, traditional music, and the background noise of everyday life into his compositions, often to haunting effect.

Classical musical critic Lloyd Schwartz says the new CD, The Bernstein Songbook, avoids the composer's orchestral flops, instead featuring excerpts from his exuberant operas and musicals.

Cuban-born pianist Jorge Bolet was a mainstay of the concert circuit; only recently have his recording garnered much attention. Classical music critic Lloyd Schwartz says that some of his performances of classic Chopin pieces have interpretive nuance, while others -- white pretty -- lack depth.

Composer Bela Bartok was also an accomplished pianist. A new CD features a 1940 recital he gave at the Library of Congress with his longtime friend and collaborator, violinist Joseph Szigeti. Classical music critic Lloyd Schwartz says it's amazing the recording exists at all; it opens the door to all great performances of the past.

"Berlin" and "American Theater Songs" are now available on a single CD, featuring Weill's wife and collaborator Lotte Lenya. But some of the songs have been cut or edited for brevity. Classical music critic Lloyd Schwartz calls that decision "immoral," and says the original LPs are now more essential than ever.

Classical music Lloyd Schwartz reviews a new collection of Renata Tebaldi's performances. The recordings are so good that he's willing to overlook the soprano's sometimes forced, theatrical effects.

Classical music critic Lloyd Schwartz talks to Fresh Air's Terry Gross about an updated version of Mozart's Figaro. The opera, directed by Peter Sellars, is set in New York City -- but is still sung in Italian.